{"id":3796,"date":"2010-02-06T08:44:03","date_gmt":"2010-02-06T07:44:03","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&#038;p=3796"},"modified":"2026-10-08T17:43:01","modified_gmt":"2026-10-08T15:43:01","slug":"tara-nepalese-sculpture-16th-century","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/en\/work-of-art\/tara-nepalese-sculpture-16th-century\/","title":{"rendered":"Bodhisattva Tara \u2013 Nepal"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221; el_class=&#8221;post-flat-h2&#8243;]<\/p>\n<p style=\"text-align: left; margin: 0 0 15px;\"><strong>Period:<\/strong> 16th century<br \/>\n<strong>Materials:<\/strong> Gilt repouss\u00e9 copper<br \/>\n<strong>Dimensions:<\/strong> 57 cm<\/p>\n<hr class=\"dalton-collection-separator\" style=\"border: 0; border-top: 1px solid #c8c8c8; margin: 28px 0 30px;\" \/>\n<h2 style=\"font-family: inherit; font-size: 14px; line-height: 1.6; font-weight: 700; letter-spacing: normal; text-transform: none; margin: 28px 0 14px;\">Description<\/h2>\n<p style=\"text-align: justify;\">Tara, venerated in Vajrayana Buddhism as a manifestation of active compassion, is represented in lalitasana, the posture of royal ease. The position of the figure expresses the deity\u2019s readiness to act on behalf of living beings.<\/p>\n<p style=\"text-align: justify;\">In Himalayan tradition, Tara is associated with Avalokiteshvara and liberation from suffering. Among her best-known forms, Green Tara is linked to protective action and White Tara to longevity. The hand gestures evoke the teaching of the Dharma and wisdom.<\/p>\n<p style=\"text-align: justify;\">The rich ornamentation belongs to the deity\u2019s iconography and the language of Nepalese workshops. Repouss\u00e9 produces reliefs and volumes from metal sheets; gilding emphasises their transitions and differences of surface. The modelling of the face and torso is distinct from the decoration of the jewellery, keeping the pose clear. The sculpture combines the functions of an image for worship and a support for meditation, both central to Himalayan devotional production.<\/p>\n<p style=\"text-align: justify;\">This sixteenth-century Nepalese sculpture belongs to Newar production of the Malla period. In the Kathmandu Valley, the making of sacred metal images holds a central place in workshop practice. The richness of the figurative repertoire is accompanied by mastery of repouss\u00e9, used here to give the figure an articulated body and elaborate ornamentation.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text el_class=&#8221;post-flat-h2&#8243;]<\/p>\n<h3 style=\"text-align: justify;\">Further reading<\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.daltonsomare.com\/en\/ancient-asian-art-italy\/\">Asian art<\/a><br \/>\n<a href=\"https:\/\/www.daltonsomare.com\/en\/publications\/\">Publications<\/a><br \/>\n<a href=\"https:\/\/www.daltonsomare.com\/en\/type-of-art\/ancient-asian-art-highlights\/\">Monthly highlights<\/a><br \/>\n<a href=\"https:\/\/www.daltonsomare.com\/en\/african-indo-buddhist-art-italy\/\">Dalton Somar\u00e9 Gallery<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text el_class=&#8221;post-flat-h2&#8243;]<\/p>\n<h3 style=\"text-align: justify;\">Related Sculptures<\/h3>\n<ul style=\"text-align: justify;\">\n<li><a href=\"https:\/\/www.daltonsomare.com\/en\/work-of-art\/nepalese-indra-gilt-copper-malla-period-14th-century\/\">Indra \u2013 Nepal<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/en\/work-of-art\/shiva-mahadeva\/\">Shiva Mahadeva \u2013 Kathmandu Valley Nepal<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/en\/work-of-art\/nepalese-bodhisattva-sculpture-dharmachakra-mudra\/\">Bodhisattva in Dharmachakra Mudra \u2013 Nepal<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/en\/work-of-art\/bookcover-nepal\/\">Manuscript Cover with Praj\u00f1\u0101p\u0101ramit\u0101 and Tara \u2013 Nepal<\/a><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221; el_class=&#8221;post-flat-h2&#8243;] Period: 16th century Materials: Gilt repouss\u00e9 copper Dimensions: 57 cm Description Tara, venerated in Vajrayana Buddhism as a manifestation of active compassion, is<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"featured_media":2448,"template":"","tipo-di-arte":[41,49],"class_list":["post-3796","opera","type-opera","status-publish","has-post-thumbnail","hentry","tipo-di-arte-ancient-art-of-asia","tipo-di-arte-ancient-asian-art-collection"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tara Nepalese Sculpture 16th Century | Himalayan Buddhist Art<\/title>\n<meta name=\"description\" content=\"Tara Nepalese Sculpture 16th Century: artwork record with provenance, cultural context and collecting notes from Dalton Somar\u00e9 gallery in Milan.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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