{"id":11135,"date":"2026-10-23T14:26:36","date_gmt":"2026-10-23T12:26:36","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?page_id=11135"},"modified":"2026-10-23T14:54:56","modified_gmt":"2026-10-23T12:54:56","slug":"press","status":"publish","type":"page","link":"https:\/\/www.daltonsomare.com\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"
\n
\n

Press<\/h1>\n

<\/span><\/p>\n

Selected articles and features on Dalton Somar\u00e9, its exhibitions and the works presented by the gallery, from the Italian and international press.<\/p>\n

Headlines are translated for reference. Articles open in the languages indicated.<\/p>\n<\/div>\n

Selected press coverage<\/span><\/p>\n
2026<\/a>2025<\/a>2024<\/a>2023<\/a>2022<\/a>2021<\/a>2020<\/a>2019<\/a><\/div>\n<\/div>\n
\n

2026<\/h2>\n
\n
\n
Artribune<\/span>

BRAFA 2026 opens with more galleries than ever<\/a><\/h3>\n

Jennifer Marie Collavo<\/p>\n

In its report from BRAFA 2026, Artribune features Dalton Somar\u00e9 among the participating Italian galleries, with a selection of tribal art.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n

\n
The Art Newspaper<\/span>

Our selection of galleries at BRAFA 2026<\/a><\/h3>\n

Arthur Frydman<\/p>\n

The Art Newspaper includes Dalton Somar\u00e9 in its selection of galleries at BRAFA 2026, highlighting Dogon, Kota-Ndassa and Baule sculptures and the gallery\u2019s contemporary approach to collecting.<\/p>\n

Read the article \u2192<\/a>French<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2025<\/h2>\n
\n
\n
Singulars<\/span>

The 24th Parcours des Mondes: a bridge between worlds<\/a><\/h3>\n

Olivier Olgan<\/p>\n

Among his highlights of Parcours des Mondes 2025, Olivier Olgan explores Dalton Somar\u00e9\u2019s \u201cVides & Volumes\u201d, focusing on the dialogue between classical African sculpture and the work of Dadamaino.<\/p>\n

Read the article \u2192<\/a>French<\/span><\/article>\n

\n
Africa Diplomatic<\/span>

BRAFA: ODE to AFRICAN ART<\/a><\/h3>\n

Europe correspondent<\/p>\n

An overview of African art at BRAFA 2025 features Dalton Somar\u00e9\u2019s display inspired by Giovanni Muzio\u2019s C\u00e0 Br\u00fcta and a pair of Bamana antelope headdresses from Mali.<\/p>\n

Read the article \u2192<\/a>English<\/span><\/article>\n

\n
exibart<\/span>

BRAFA 2025 opens: a wunderkammer where everything is for sale<\/a><\/h3>\n

Erica Roccella<\/p>\n

exibart\u2019s report explores the African sculptures presented by Dalton Somar\u00e9 and the display inspired by C\u00e0 Br\u00fcta, connecting the works with Milanese architecture and the gallery owners\u2019 family history.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n

\n
Il Giornale dell\u2019Arte<\/span>

BRAFA at 70, beneath Vasconcelos\u2019s Valkyries<\/a><\/h3>\n

Davide Landoni<\/p>\n

Il Giornale dell\u2019Arte features Dalton Somar\u00e9\u2019s African sculptures and the display inspired by Giovanni Muzio\u2019s C\u00e0 Br\u00fcta, with insights from Tomaso Vigorelli on the works\u2019 aesthetic qualities and their dialogue with the twentieth-century avant-garde.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2024<\/h2>\n
\n
\n
Il Giornale dell\u2019Arte<\/span>

African masks in the company of the Surrealists<\/a><\/h3>\n

Beatrice Cumino<\/p>\n

Il Giornale dell\u2019Arte reports on Dalton Somar\u00e9 at BRAFA 2024, discussing the display, the dialogue between sculpture and photography, and the response from visitors.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n

\n
Artribune<\/span>

Images and works from the opening of BRAFA 2024 in Brussels<\/a><\/h3>\n

Cristina Masturzo<\/p>\n

Artribune highlights Dalton Somar\u00e9\u2019s presentation at BRAFA 2024, noting its use of photography to offer a closer reading of the sculptures on display.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2023<\/h2>\n
\n
\n
Artribune<\/span>

A report on the 2023 edition of BRAFA in Brussels<\/a><\/h3>\n

Redazione<\/p>\n

In its review of BRAFA 2023, Artribune reports on Dalton Somar\u00e9\u2019s participation and highlights the sale of a Mukudj mask among the results achieved by Italian galleries.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n

\n
Il Giornale dell\u2019Arte<\/span>

BRAFA under the sign of Art Nouveau<\/a><\/h3>\n

Luana De Micco<\/p>\n

In its preview of BRAFA 2023, Il Giornale dell\u2019Arte presents a Mukudj mask from Gabon offered by Dalton Somar\u00e9.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2022<\/h2>\n
\n
\n
Tribal Art Magazine<\/span>

BRAFA ART FAIR \u2013 June edition<\/a><\/h3>\n

Tribal Art Magazine highlights Dalton Somar\u00e9\u2019s selection for BRAFA 2022 and presents a Dogon N\u2019duleri maternity group from Mali.<\/p>\n

Read the article \u2192<\/a>English<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2021<\/h2>\n
\n
\n
Artribune<\/span>

BRAFA in the Galleries: ten Italian galleries across five cities<\/a><\/h3>\n

Claudia Giraud<\/p>\n

Artribune includes Dalton Somar\u00e9 in the Milan programme of BRAFA in the Galleries, with a presentation of African and Asian art.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2020<\/h2>\n
\n
\n
Timeless Travels<\/span>

Don\u2019t miss BRAFA Art Fair 2020<\/a><\/h3>\n

Polly Allen<\/p>\n

Among its highlights of BRAFA 2020, Timeless Travels features a two-faced Kota-Obamba figure presented by Dalton Somar\u00e9.<\/p>\n

Read the article \u2192<\/a>English<\/span><\/article>\n<\/div>\n<\/section>\n

\n

2019<\/h2>\n
\n
\n
AD Italia<\/span>

AMART brings antiques to Milan<\/a><\/h3>\n

Daniela Ambrosio<\/p>\n

In its feature on AMART 2019, AD Italia includes a figure from Gabon presented by Dalton Somar\u00e9 in its photographic selection.<\/p>\n

Read the article \u2192<\/a>Italian<\/span><\/article>\n<\/div>\n<\/section>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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