{"id":8648,"date":"2026-05-30T09:07:33","date_gmt":"2026-05-30T07:07:33","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=approfondimento&#038;p=8648"},"modified":"2026-10-03T21:42:32","modified_gmt":"2026-10-03T19:42:32","slug":"masques-portraits-baule-ndoma-mblo-image-sociale","status":"publish","type":"approfondimento","link":"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/masques-portraits-baule-ndoma-mblo-image-sociale\/","title":{"rendered":"Masques portraits Baule : ndoma, mblo et image sociale"},"content":{"rendered":"<p>Les masques portraits Baule de C\u00f4te d\u2019Ivoire c\u00e9l\u00e8brent des personnes connues par des images id\u00e9alis\u00e9es pr\u00e9sent\u00e9es dans la danse. Le terme ndoma d\u00e9signe des masques de ce type, tandis que mblo renvoie au contexte des repr\u00e9sentations dans\u00e9es dans lequel ils sont \u00e9tudi\u00e9s. La r\u00e9f\u00e9rence \u00e0 un individu n\u2019exige pas une reproduction exacte de sa physionomie : le sculpteur s\u00e9lectionne traits, coiffures et ornements pour exprimer la beaut\u00e9 et les qualit\u00e9s reconnues \u00e0 la personne honor\u00e9e.<\/p>\n<p>Le visage \u00e9quilibre proportions g\u00e9n\u00e9rales et d\u00e9tails finement travaill\u00e9s. Front ample, yeux recueillis, nez d\u00e9fini et bouche mesur\u00e9e lui donnent sa dignit\u00e9. Coiffures et scarifications caract\u00e9risent le portrait, tandis que le polissage souligne la continuit\u00e9 des surfaces. La finesse de la taille s\u2019appr\u00e9cie dans les rapports entre ces \u00e9l\u00e9ments : chaque d\u00e9tail contribue \u00e0 l\u2019expression g\u00e9n\u00e9rale et \u00e0 la reconnaissance de l\u2019image.<\/p>\n<p>La danse ajoute une autre dimension. Costume, musique et mouvement pr\u00e9sentent le masque \u00e0 un public capable de reconna\u00eetre la personne \u00e9voqu\u00e9e et de partager l\u2019appr\u00e9ciation de ses qualit\u00e9s. La sculpture devient un \u00e9l\u00e9ment d\u2019une c\u00e9l\u00e9bration sociale o\u00f9 la beaut\u00e9 du visage est soutenue par l\u2019habilet\u00e9 de l\u2019ex\u00e9cutant. Cette pr\u00e9sentation explique pourquoi le portrait Baule s\u2019\u00e9tudie avec les relations entre artiste, mod\u00e8le, danseur et communaut\u00e9.<\/p>\n<p>Le rapprochement avec les figures blolo bian et blolo bla montre comment les sculpteurs Baule appliquaient des crit\u00e8res esth\u00e9tiques proches \u00e0 des fonctions diff\u00e9rentes. Chez les \u00e9poux spirituels, le soin de l\u2019image entretient une relation personnelle avec le monde invisible ; dans les masques portraits, l\u2019id\u00e9alisation participe \u00e0 la c\u00e9l\u00e9bration publique d\u2019une personne. Coiffures \u00e9labor\u00e9es, surfaces polies et expressions compos\u00e9es prennent leur sens dans leurs cadres respectifs. Cette vari\u00e9t\u00e9 r\u00e9v\u00e8le la pr\u00e9cision avec laquelle la sculpture Baule articule identit\u00e9 individuelle et valeurs partag\u00e9es.<\/p>\n<h3>Bibliographie et comparaisons<\/h3>\n<ul>\n<li>Susan M. Vogel, <em>Baule: African Art, Western Eyes<\/em>.<\/li>\n<li>Alain-Michel Boyer, <em>Baule<\/em>.<\/li>\n<li><a href=\"https:\/\/www.clevelandart.org\/art\/1974.203\" target=\"_blank\" rel=\"noopener\">Cleveland Museum of Art, Portrait Mask (Mblo), Baule<\/a><\/li>\n<\/ul>\n<section class=\"dalton-related-insights\">\n<h3>Approfondissements associ\u00e9s<\/h3>\n<div class=\"dalton-fr-approfondissement-link-list\">\n<p style=\"margin:0 0 7px;line-height:1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/blolo-bian-blolo-bla-baule-epoux-au-dela\/\">Blolo bian et blolo bla Baule : les \u00e9poux de l\u2019au-del\u00e0<\/a><\/p>\n<p style=\"margin:0 0 7px;line-height:1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/masques-africains-fonction-rituelle-langage-formel\/\">Masques africains : fonction rituelle et langage formel<\/a><\/p>\n<p style=\"margin:0 0 7px;line-height:1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/sculpture-africaine-bois-matiere-patine-conservation\/\">Sculpture Africaine en bois : mati\u00e8re, patine et conservation<\/a><\/p>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Les masques portraits Baule de C\u00f4te d\u2019Ivoire c\u00e9l\u00e8brent des personnes connues par des images id\u00e9alis\u00e9es pr\u00e9sent\u00e9es dans la danse. Le terme ndoma d\u00e9signe des masques de ce type, tandis que mblo renvoie au contexte des repr\u00e9sentations dans\u00e9es dans lequel ils sont \u00e9tudi\u00e9s. La r\u00e9f\u00e9rence \u00e0 un individu n\u2019exige pas une reproduction exacte de sa physionomie : le sculpteur s\u00e9lectionne traits, coiffures et ornements pour exprimer la beaut\u00e9 et les qualit\u00e9s reconnues \u00e0 la personne honor\u00e9e.<\/p>\n","protected":false},"featured_media":9820,"menu_order":180,"template":"","area_approfondimento":[],"class_list":["post-8648","approfondimento","type-approfondimento","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Masques portraits Baule : ndoma, mblo et image sociale | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"Les masques portraits Baule entre ndoma, mblo, id\u00e9al de beaut\u00e9 et repr\u00e9sentation sociale.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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