{"id":8654,"date":"2026-05-30T09:07:34","date_gmt":"2026-05-30T07:07:34","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=approfondimento&#038;p=8654"},"modified":"2026-10-04T09:38:18","modified_gmt":"2026-10-04T07:38:18","slug":"hari-hara-image-composite-synthese-theologique","status":"publish","type":"approfondimento","link":"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/hari-hara-image-composite-synthese-theologique\/","title":{"rendered":"Harihara : Shiva et Vishnu dans une m\u00eame image"},"content":{"rendered":"<p>Harihara r\u00e9unit Shiva et Vishnu dans une figure composite. Son nom associe Hari, une \u00e9pith\u00e8te de Vishnu, et Hara, une \u00e9pith\u00e8te de Shiva. La distinction entre les deux composantes repose sur le traitement des moiti\u00e9s du corps et sur les attributs conserv\u00e9s.<\/p>\n<p>La chevelure asc\u00e9tique peut indiquer Shiva, tandis qu\u2019une couronne caract\u00e9rise la composante de Vishnu. Le trident, le disque et la conque contribuent \u00e9galement \u00e0 l\u2019identification lorsqu\u2019ils sont pr\u00e9sents. Dans les sculptures endommag\u00e9es, la perte des bras rend l\u2019examen de la coiffure et des autres \u00e9l\u00e9ments conserv\u00e9s particuli\u00e8rement important.<\/p>\n<p>La figure est g\u00e9n\u00e9ralement interpr\u00e9t\u00e9e comme une expression de l\u2019unit\u00e9 des deux divinit\u00e9s. Le sens historique de cette association doit toutefois \u00eatre \u00e9tabli dans chaque contexte religieux et politique. Les images de Harihara appartiennent aussi aux traditions du Sud-Est asiatique : l\u2019exemplaire illustr\u00e9, attribu\u00e9 au Cambodge ou au Vietnam, montre comment un m\u00eame sujet a pu \u00eatre d\u00e9velopp\u00e9 dans des langages sculpturaux diff\u00e9rents.<\/p>\n<p>La <a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/hari-hara-cambodge\/\">t\u00eate en gr\u00e8s des archives Dalton Somar\u00e9<\/a>, du Cambodge du VIIe\u2013VIIIe si\u00e8cle, offre une lecture particuli\u00e8rement claire du sujet. La mitre cylindrique de Vishnu et le chignon asc\u00e9tique de Shiva occupent les deux moiti\u00e9s de la coiffure ; en dessous, le visage maintient une construction unitaire et frontale. La distinction des attributs et la continuit\u00e9 du model\u00e9 agissent ensemble, rendant visibles les deux composantes dans une m\u00eame figure.<\/p>\n<p>Le rapprochement avec le <a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/divinite-masculine-khmer-cambodge\/\">torse de divinit\u00e9 masculine khm\u00e8re du Xe si\u00e8cle<\/a>, \u00e9galement en gr\u00e8s, d\u00e9place l\u2019attention du chef vers le corps et le v\u00eatement. Dans le torse, les plis g\u00e9om\u00e9triques du sampot contrastent avec les larges surfaces du buste ; dans la t\u00eate de Harihara, le traitement diff\u00e9rent de la coiffure organise la lecture. Ces \u0153uvres apportent des informations compl\u00e9mentaires sur la sculpture cambodgienne. Identifier Harihara par ses attributs fournit une base \u00e0 la comparaison stylistique, en distinguant l\u2019identit\u00e9 iconographique des formes du langage local.<\/p>\n<h3>R\u00e9f\u00e9rences et comparaisons<\/h3>\n<ul>\n<li><a href=\"https:\/\/vidyadehejia.com\/\" target=\"_blank\" rel=\"noopener\">Vidya Dehejia, Indian Art, London, Phaidon, 1997<\/a><\/li>\n<li><a href=\"https:\/\/www.nortonsimon.org\/art\/detail\/F.1972.40.2.S\/\" target=\"_blank\" rel=\"noopener\">Norton Simon Museum, Harihara<\/a><\/li>\n<li><a href=\"https:\/\/www.metmuseum.org\/pt\/art\/collection\/search\/38162\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum of Art, Harihara<\/a><\/li>\n<\/ul>\n<section class=\"dalton-related-insights\">\n<h3>Approfondissements associ\u00e9s<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/art-hindou-shiva-vishnu-image-sacree\/\">Art hindou : images et culte<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/iconographie-shiva\/\">L\u2019iconographie de Shiva<\/a><\/li>\n<\/ul>\n<\/section>\n<p style=\"text-align: justify;\">La comparaison des attributs, du corps et du v\u00eatement se poursuit dans <a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/sculpture-khmere-harihara-le-corps-divin-et-le-dessin-du-vetement\/\">Sculpture khm\u00e8re : Harihara, le corps divin et le dessin du v\u00eatement<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Harihara r\u00e9unit Shiva et Vishnu dans une figure composite. Son nom associe Hari, une \u00e9pith\u00e8te de Vishnu, et Hara, une \u00e9pith\u00e8te de Shiva. La distinction entre les deux composantes repose sur le traitement des moiti\u00e9s du corps et sur les attributs conserv\u00e9s.<\/p>\n","protected":false},"featured_media":9840,"menu_order":70,"template":"","area_approfondimento":[],"class_list":["post-8654","approfondimento","type-approfondimento","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hari Hara : image composite et synth\u00e8se th\u00e9ologique | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"Hari Hara comme union iconographique de Shiva et Vishnu dans la sculpture hindoue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/hari-hara-shiva-vishnu-scultura-hindu\/\" \/>\n<meta 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