{"id":8661,"date":"2026-05-30T09:07:34","date_gmt":"2026-05-30T07:07:34","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=approfondimento&#038;p=8661"},"modified":"2026-10-03T21:41:06","modified_gmt":"2026-10-03T19:41:06","slug":"sculpture-indo-bouddhiste-image-sacree-iconographie-diffusion","status":"publish","type":"approfondimento","link":"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/sculpture-indo-bouddhiste-image-sacree-iconographie-diffusion\/","title":{"rendered":"La sculpture indo-bouddhiste : formation et circulation des mod\u00e8les"},"content":{"rendered":"<p>L\u2019\u00e9tude de la sculpture indo-bouddhiste porte sur la formation des images bouddhiques dans le sous-continent indien et sur la circulation de leurs mod\u00e8les. Le terme recouvre des productions diff\u00e9rentes par leur chronologie, leurs mat\u00e9riaux et leur langage formel ; il demande donc de pr\u00e9ciser le contexte \u00e9tudi\u00e9.<\/p>\n<p>Les \u0153uvres li\u00e9es \u00e0 cette page proposent un premier parcours de comparaison : le Padmapani de l\u2019Inde Pala, celui de la vall\u00e9e du Swat et le bodhisattva n\u00e9palais en dharmachakra mudra appartiennent \u00e0 des contextes diff\u00e9rents. Le sujet et le geste constituent des points de d\u00e9part ; les proportions, les v\u00eatements et les ornements permettent d\u2019observer les diverses solutions sculpturales.<\/p>\n<p>La circulation des mod\u00e8les n\u2019implique pas l\u2019uniformit\u00e9 des images. Entre les centres de production, une convention peut \u00eatre conserv\u00e9e tout en \u00e9tant r\u00e9interpr\u00e9t\u00e9e. La comparaison d\u2019\u0153uvres document\u00e9es aide \u00e0 reconstituer ces relations et \u00e0 distinguer continuit\u00e9 iconographique, affinit\u00e9s stylistiques et hypoth\u00e8ses sur l\u2019origine.<\/p>\n<p>La chronologie aide \u00e0 organiser la comparaison. Le Padmapani du Swat, du VIe si\u00e8cle, est un bronze de 23 centim\u00e8tres ; le Padmapani Pala, du XIe si\u00e8cle, est une st\u00e8le de schiste noir haute de 47 centim\u00e8tres. Dans le premier, la main rapproch\u00e9e du visage concentre la composition ; dans le second, six bras la d\u00e9veloppent lat\u00e9ralement. Une identit\u00e9 sacr\u00e9e commune coexiste avec des formats, des mat\u00e9riaux et des dispositions d\u2019attributs diff\u00e9rents. Ces diff\u00e9rences appartiennent \u00e0 l\u2019histoire des images et enrichissent leur rapprochement.<\/p>\n<p>La <a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/couverture-manuscrit-nepal\/\">couverture n\u00e9palaise de la Praj\u00f1\u0101p\u0101ramit\u0101 du XIIe si\u00e8cle<\/a> \u00e9tend l\u2019\u00e9tude \u00e0 la culture du livre. Praj\u00f1\u0101p\u0101ramit\u0101, Tara Blanche et Tara Verte occupent un support destin\u00e9 \u00e0 prot\u00e9ger le texte sacr\u00e9. La circulation des r\u00e9pertoires s\u2019\u00e9tudie ainsi \u00e0 travers sculpture et arts du livre, en distinguant le transfert des sujets des transformations dues \u00e0 la fonction de l\u2019objet. Chronologies, documentation et comparaisons publi\u00e9es restent fondamentales pour retracer les relations entre centres de production.<\/p>\n<h3>R\u00e9f\u00e9rences et comparaisons<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.metmuseum.org\/pt\/essays\/gandhara\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum of Art, Gandhara<\/a><\/li>\n<li><a href=\"https:\/\/www.metmuseum.org\/exhibitions\/listings\/2014\/tibet-and-india\" target=\"_blank\" rel=\"noopener\">Metropolitan Museum of Art, Tibet and India<\/a><\/li>\n<\/ul>\n<section class=\"dalton-related-insights\">\n<h3>Sculptures associ\u00e9es sur le site<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/lart-pala-sculpture-bouddhique-et-images-de-la-compassion-dans-linde-orientale\/\">L\u2019art Pala : sculpture bouddhique et images de la compassion dans l\u2019Inde orientale<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/manuscrits-bouddhiques-du-nepal-les-couvertures-de-la-prajnaparamita\/\">Manuscrits bouddhiques du N\u00e9pal : les couvertures de la Praj\u00f1\u0101p\u0101ramit\u0101<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/bodhisattva-padmapani-inde\/\">Bodhisattva Padmapani, Inde Pala<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/bodhisattva-padmapani-vallee-swat-pakistan\/\">Bodhisattva Padmapani, Vall\u00e9e du Swat<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/bodhisattva-dharmachakra-mudra-nepal\/\">Bodhisattva en dharmachakra mudra, N\u00e9pal<\/a><\/li>\n<\/ul>\n<\/section>\n<section class=\"dalton-related-insights\">\n<h3>Approfondissements associ\u00e9s<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/sculpture-bouddhique\/\">La sculpture bouddhique<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/art-gandhara\/\">L\u2019art du Gandhara<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/inde-himalaya-nepal-continuite-iconographique-traditions-regionales\/\">Entre l\u2019Inde, le N\u00e9pal et le Tibet : \u00e9changes et traditions sculpturales<\/a><\/li>\n<li><a href=\"https:\/\/www.daltonsomare.com\/fr\/approfondimenti-tematici\/art-sud-est-asiatique-adaptation-regionale-langage-sacre\/\">La sculpture sacr\u00e9e du Sud-Est asiatique<\/a><\/li>\n<\/ul>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019\u00e9tude de la sculpture indo-bouddhiste porte sur la formation des images bouddhiques dans le sous-continent indien et sur la circulation de leurs mod\u00e8les. Le terme recouvre des productions diff\u00e9rentes par leur chronologie, leurs mat\u00e9riaux et leur langage formel ; il demande donc de pr\u00e9ciser le contexte \u00e9tudi\u00e9.<\/p>\n","protected":false},"featured_media":9751,"menu_order":180,"template":"","area_approfondimento":[],"class_list":["post-8661","approfondimento","type-approfondimento","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sculpture indo-bouddhiste : image sacr\u00e9e, iconographie et diffusion de l\u2019art bouddhique | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"La sculpture indo-bouddhiste entre image sacr\u00e9e, iconographie, diffusion r\u00e9gionale et fonction rituelle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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