{"id":8533,"date":"2026-05-30T09:07:13","date_gmt":"2026-05-30T07:07:13","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8533"},"modified":"2026-10-08T13:37:09","modified_gmt":"2026-10-08T11:37:09","slug":"masque-yaoure-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-yaoure-cote-ivoire\/","title":{"rendered":"Masque Yaour\u00e9, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

D\u00e9but du XXe si\u00e8cle
\nBois avec clous, art rituel
\n33 cm<\/p>\n

Provenance<\/h2>\n

Philippe Ratton, Paris<\/p>\n

Expositions<\/h2>\n

Parcours des Mondes, Paris, 2024
\nAMART \u2013 l\u2019Antiquariato \u00e8 a Milano, Museo della Permanente, Milan, 2024<\/p>\n

\n

Art Yaour\u00e9 et contexte rituel<\/h2>\n

Les masques Yaour\u00e9 de C\u00f4te d\u2019Ivoire comptent parmi les expressions les plus raffin\u00e9es de l\u2019Art Africain<\/strong><\/a> d\u2019Afrique occidentale. Leur langage formel est fond\u00e9 sur l\u2019\u00e9quilibre, la sym\u00e9trie et une grande pr\u00e9cision de la surface, mais il demeure profond\u00e9ment li\u00e9 \u00e0 un contexte rituel complexe.<\/p>\n

Ces sculptures appartiennent \u00e0 un syst\u00e8me c\u00e9r\u00e9moniel associ\u00e9 au culte de l\u2019esprit yu<\/em>, garant de l\u2019\u00e9quilibre social, de la fertilit\u00e9 et de l\u2019ordre cosmique. La tradition Yaour\u00e9 distingue g\u00e9n\u00e9ralement deux cat\u00e9gories principales de masques : les je<\/em>, souvent polychromes, et les lo<\/em>, caract\u00e9ris\u00e9s par une surface plus sombre et uniforme. Cette distinction refl\u00e8te des diff\u00e9rences rituelles et symboliques au sein des pratiques c\u00e9r\u00e9monielles.<\/p>\n

Ce masque-portrait se distingue par la puret\u00e9 des formes et par la rigueur de la composition. Le visage ovale est structur\u00e9 autour d\u2019un nez long et fin, qui organise l\u2019\u00e9quilibre visuel de l\u2019\u0153uvre. Les sourcils arqu\u00e9s, les scarifications, la coiffure et la barbe contribuent \u00e0 cr\u00e9er une image id\u00e9alis\u00e9e, suspendue entre r\u00e9alisme et abstraction.<\/p>\n

La paire d\u2019oiseaux stylis\u00e9s plac\u00e9e au sommet constitue un \u00e9l\u00e9ment iconographique significatif. Ces oiseaux, souvent repr\u00e9sent\u00e9s en train de boire dans un m\u00eame r\u00e9cipient, \u00e9voquent l\u2019harmonie entre nature et soci\u00e9t\u00e9 et l\u2019\u00e9quilibre entre beaut\u00e9 et ordre. L\u2019\u0153uvre r\u00e9unit ainsi la gr\u00e2ce formelle de la sculpture Yaour\u00e9 et la densit\u00e9 symbolique propre aux masques de C\u00f4te d\u2019Ivoire.<\/p>\n

\n
\n

Approfondissements<\/h2>\n
\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque Deangl\u00e9, Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Dan Gio, Liberia\/C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan Mano, Liberia<\/a><\/p>\n

Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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