{"id":8539,"date":"2026-05-30T09:07:15","date_gmt":"2026-05-30T07:07:15","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8539"},"modified":"2026-10-08T13:36:22","modified_gmt":"2026-10-08T11:36:22","slug":"masque-we-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-we-cote-ivoire\/","title":{"rendered":"Masque We, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Fin du XIXe si\u00e8cle
\nBois, fer, fibres v\u00e9g\u00e9tales et pigments
\n21 cm<\/p>\n

Provenance<\/h2>\n

Merton Simpson, New York
\nCollection C. & H. Tanenbaum, Toronto
\nJacques Germain, Montr\u00e9al
\nCollection priv\u00e9e, Bruxelles<\/p>\n

Publications<\/h2>\n

Jacques Germain, Art Ancien de l\u2019Afrique Noire VI<\/em>, Montr\u00e9al, 2013, pp. 40\u201341<\/p>\n

\n

Art We et traditions masqu\u00e9es<\/h2>\n

Le masque We de C\u00f4te d\u2019Ivoire s\u2019inscrit dans le syst\u00e8me des soci\u00e9t\u00e9s masqu\u00e9es de l\u2019Art Africain<\/strong><\/a> d\u2019Afrique occidentale, en particulier dans les traditions Dan et We. Ces masques jouent un r\u00f4le central dans les c\u00e9r\u00e9monies communautaires, o\u00f9 la danse et la performance rituelle permettent la rencontre entre le monde humain et la dimension spirituelle. R\u00e9alis\u00e9 en bois, fer, fibres v\u00e9g\u00e9tales et pigments, ce masque constitue un exemple significatif de sculpture cumulative africaine. Les mat\u00e9riaux se superposent au fil du temps par l\u2019usage rituel, cr\u00e9ant une patine complexe qui t\u00e9moigne de l\u2019histoire et de la fonction de l\u2019objet. Le masque repr\u00e9sente un mendiant sacr\u00e9, figure ambivalente qui associe des caract\u00e9ristiques masculines et f\u00e9minines et appartient \u00e0 la cosmologie We. Pendant les c\u00e9r\u00e9monies, cette entit\u00e9 appara\u00eet pour solliciter des offrandes et interagir avec la communaut\u00e9 par des comportements ritualis\u00e9s et th\u00e9\u00e2traux.<\/p>\n

La surface pr\u00e9sente un caract\u00e8re volontairement grotesque et fortement expressif, soulignant la nature non humaine de la figure. Les yeux r\u00e9duits \u00e0 des fentes contribuent \u00e0 dissimuler l\u2019identit\u00e9 du danseur, renfor\u00e7ant le caract\u00e8re spirituel du masque. Les dents m\u00e9talliques et les \u00e9l\u00e9ments appliqu\u00e9s amplifient la tension visuelle et le caract\u00e8re surnaturel de l\u2019\u0153uvre.<\/p>\n

Le front est d\u00e9cor\u00e9 de scarifications rituelles et de tresses fix\u00e9es par de petits \u00e9l\u00e9ments m\u00e9talliques, signes d\u2019appartenance \u00e0 un syst\u00e8me symbolique complexe. Ces d\u00e9tails ne sont pas purement d\u00e9coratifs, mais participent \u00e0 la construction de l\u2019identit\u00e9 rituelle du masque.<\/p>\n

Ces masques pouvaient \u00eatre utilis\u00e9s pendant plusieurs g\u00e9n\u00e9rations, accumulant signification et valeur rituelle. Les traces d\u2019usure et la patine stratifi\u00e9e t\u00e9moignent d\u2019un usage prolong\u00e9 et de la fonction active de l\u2019objet dans la vie communautaire. Ce masque We de la fin du XIXe si\u00e8cle repr\u00e9sente un important t\u00e9moignage de l\u2019art rituel africain, o\u00f9 mati\u00e8re, performance et spiritualit\u00e9 se fondent. Les \u0153uvres de ce type sont particuli\u00e8rement appr\u00e9ci\u00e9es dans le collectionnisme international pour leur intensit\u00e9 expressive et leur valeur historique.<\/p>\n

\n
\n

Approfondissements<\/h2>\n
\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/p><\/div><\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque Deangl\u00e9, Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Dan Gio, Liberia\/C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan Mano, Liberia<\/a><\/p>\n

Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/p><\/div><\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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