{"id":8552,"date":"2010-12-05T15:43:20","date_gmt":"2010-12-05T14:43:20","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8552"},"modified":"2026-10-08T13:47:55","modified_gmt":"2026-10-08T11:47:55","slug":"figure-pouvoir-kongo-rd-congo","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-pouvoir-kongo-rd-congo\/","title":{"rendered":"Figure de pouvoir Nkisi, Kongo, R.D. du Congo"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Seconde moiti\u00e9 du XIXe si\u00e8cle
\nBois, fer, mati\u00e8re r\u00e9sineuse
\n69,2 cm<\/p>\n

Provenance<\/h2>\n

Collection Helena Rubinstein, New York
\nCollection priv\u00e9e, Bruxelles
\nDalton Somar\u00e9, Milan
\nCollection Anna & Vittorio M. Carini, Italie<\/p>\n

Expositions<\/h2>\n

Bruneaf Cultures<\/em>, Bruxelles, 2016<\/p>\n

\n

Statuaire Kongo et syst\u00e8me Nkisi<\/h2>\n

La statuaire Kongo repr\u00e9sente l\u2019un des syst\u00e8mes les plus complexes et structur\u00e9s de l\u2019Art Africain<\/strong><\/a>, o\u00f9 sculpture, religion et organisation sociale sont \u00e9troitement li\u00e9es. Au centre de ce syst\u00e8me se trouvent les nkisi<\/em>, objets dot\u00e9s de pouvoir spirituel et con\u00e7us comme des r\u00e9ceptacles de forces invisibles activ\u00e9es par des substances rituelles.<\/p>\n

Cette sculpture appartient \u00e0 la typologie des nkisi nkondi<\/em>, figures \u00ab activatrices \u00bb ou \u00ab chasseuses \u00bb, utilis\u00e9es pour sceller des serments, r\u00e9soudre des conflits et prot\u00e9ger la communaut\u00e9. Le terme nkondi<\/em> d\u00e9rive du verbe konda<\/em>, qui signifie \u00ab chasser \u00bb ou \u00ab frapper \u00bb, indiquant la fonction active et interventionniste de ces figures.<\/p>\n

Chaque \u00e9l\u00e9ment ins\u00e9r\u00e9 dans la sculpture, clou, lame ou fragment m\u00e9tallique, correspondait \u00e0 un acte rituel pr\u00e9cis, souvent li\u00e9 \u00e0 un serment ou \u00e0 une demande de justice. La figure est r\u00e9alis\u00e9e en bois et enrichie de fer et de mati\u00e8re r\u00e9sineuse, qui constituent le noyau \u00e9nerg\u00e9tique de l\u2019\u0153uvre. Ces substances, pr\u00e9par\u00e9es par des sp\u00e9cialistes rituels, \u00e9taient consid\u00e9r\u00e9es comme indispensables pour activer le pouvoir du nkisi<\/em>.<\/p>\n

Du point de vue formel, les figures nkisi nkondi<\/em> se caract\u00e9risent par une forte tension plastique et une pr\u00e9sence visuelle intense. La posture est frontale et stable, tandis que le visage, aux traits accentu\u00e9s, communique autorit\u00e9 et puissance. Ces \u0153uvres n\u2019\u00e9taient pas de simples objets religieux, mais des instruments actifs de la vie sociale : garants de contrats, protecteurs contre les forces hostiles et m\u00e9diateurs dans les conflits.<\/p>\n

Les figures Kongo de ce type ont exerc\u00e9 une influence profonde sur l\u2019imaginaire occidental et sur l\u2019art du XXe si\u00e8cle, en raison de leur force expressive et de leur structure conceptuelle. Elles comptent aujourd\u2019hui parmi les \u0153uvres les plus embl\u00e9matiques de la sculpture africaine classique.<\/p>\n

\n
\n

Approfondissements<\/h2>\n

Figures de pouvoir Kongo : nkisi, nkondi et construction de l\u2019autorit\u00e9<\/a><\/p>\n

\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque, Lega, soci\u00e9t\u00e9 Bwami, R.D. du Congo<\/a><\/p>\n

Masque Nkaki, Lwalwa, R.D. du Congo<\/a><\/p>\n

Figure d\u2019anc\u00eatre, Hemba, R.D. du Congo<\/a><\/p>\n

Maternit\u00e9 Phemba, Yombe, R.D. du Congo<\/a><\/p>\n

Maternit\u00e9 Phemba, Yombe, R.D. du Congo<\/a><\/p>\n

Figure masculine, Luluwa Mukendi, R.D. du Congo<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″] Seconde moiti\u00e9 du XIXe si\u00e8cle Bois, fer, mati\u00e8re r\u00e9sineuse 69,2 cm Provenance Collection Helena Rubinstein, New York Collection priv\u00e9e, Bruxelles Dalton Somar\u00e9, Milan [\u2026]<\/span><\/p>\n","protected":false},"featured_media":9601,"template":"","tipo-di-arte":[156,158],"class_list":["post-8552","opera","type-opera","status-publish","has-post-thumbnail","hentry","tipo-di-arte-art-africain","tipo-di-arte-collection-art-africain"],"acf":[],"yoast_head":"\nFigure de pouvoir Kongo, R.D. Congo | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"Fiche d\u2019\u0153uvre Dalton Somar\u00e9: Figure de pouvoir Kongo, R.D. Congo. 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