{"id":8554,"date":"2010-10-05T15:44:20","date_gmt":"2010-10-05T13:44:20","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&#038;p=8554"},"modified":"2026-10-08T13:59:41","modified_gmt":"2026-10-08T11:59:41","slug":"figure-feminine-dan-gio-liberia-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-feminine-dan-gio-liberia-cote-ivoire\/","title":{"rendered":"Figure f\u00e9minine \u201cL\u00fc M\u00e6\u201d, Dan Gio, Lib\u00e9ria\/C\u00f4te d\u2019Ivoire"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2&Prime;]<\/p>\n<p style=\"text-align: justify;\">D\u00e9but du XXe si\u00e8cle<br \/>\nBois \u00e0 patine noire<br \/>\n35 cm<\/p>\n<h2>Provenance<\/h2>\n<p style=\"text-align: justify;\">Collection Loed van Bussel, Amsterdam<br \/>\nCollection Alfred Scheinberg, New York<br \/>\nCollection Melvyn L. Meer, New York<br \/>\nDalton Somar\u00e9, Milan<br \/>\nCollection O. &amp; E. Revera, Brescia<\/p>\n<h2>Expositions<\/h2>\n<p style=\"text-align: justify;\">Bruneaf, Bruxelles, 2005<br \/>\n<em>L\u2019Africa delle meraviglie<\/em>, G\u00eanes, 2010\u20132011<\/p>\n<h2>Publications<\/h2>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/pubblicazioni\/entre-grace-brutalite-cote-ivoire-collections-italiennes\/\">Entre Gr\u00e2ce et Brutalit\u00e9. La C\u00f4te d\u2019Ivoire dans les collections italiennes<\/a>, Dalton Somar\u00e9, Milan, 2017, pp. 26-27<\/p>\n<hr class=\"dalton-collection-separator\" style=\"border: 0; border-top: 1px solid #c8c8c8; margin: 28px 0 30px;\" \/>\n<h2 style=\"font-family: inherit; font-size: 14px; line-height: 1.6; font-weight: 700; letter-spacing: normal; text-transform: none; margin: 28px 0 14px;\">Art Dan et figure L\u00fc M\u00e6<\/h2>\n<p style=\"text-align: justify;\">La sculpture Dan du Lib\u00e9ria et de C\u00f4te d\u2019Ivoire repr\u00e9sente l\u2019une des expressions les plus raffin\u00e9es et individualis\u00e9es de l\u2019<a href=\"https:\/\/www.daltonsomare.com\/fr\/art-africain\/\"><strong>Art Africain<\/strong><\/a>. Les figures <em>l\u00fc m\u00e6<\/em>, litt\u00e9ralement \u00ab personnes de bois \u00bb, constituent une cat\u00e9gorie particuli\u00e8re de sculptures command\u00e9es par des hommes \u00e9minents pour c\u00e9l\u00e9brer la beaut\u00e9 et les qualit\u00e9s de leur premi\u00e8re \u00e9pouse.<\/p>\n<p style=\"text-align: justify;\">\u00c0 la diff\u00e9rence de nombreuses autres sculptures africaines, ces \u0153uvres ne repr\u00e9sentent pas des entit\u00e9s spirituelles, mais des individus r\u00e9els, connus de la communaut\u00e9. Leur r\u00e9alisation impliquait le recours \u00e0 des sculpteurs de haut niveau et supposait un investissement \u00e9conomique et symbolique important. Poss\u00e9der une figure <em>l\u00fc m\u00e6<\/em> constituait donc un signe tangible de prestige social, renforc\u00e9 par la n\u00e9cessit\u00e9 d\u2019organiser une c\u00e9r\u00e9monie publique pour sa pr\u00e9sentation.<\/p>\n<p style=\"text-align: justify;\">La figure se distingue par un \u00e9quilibre entre naturalisme et abstraction, typique de la sculpture Dan. Les proportions sont solides et bien calibr\u00e9es : jambes robustes, fesses prononc\u00e9es et torse compact donnent \u00e0 la figure une forte pr\u00e9sence physique. Les bras, l\u00e9g\u00e8rement fl\u00e9chis et d\u00e9tach\u00e9s du corps, introduisent une tension dynamique discr\u00e8te.<\/p>\n<p style=\"text-align: justify;\">Le visage, trait\u00e9 comme un masque stylis\u00e9, pr\u00e9sente une expression intense et concentr\u00e9e. La bouche l\u00e9g\u00e8rement ouverte et la ligne descendante des l\u00e8vres donnent un ton grave et r\u00e9fl\u00e9chi. La patine noire brillante, obtenue par l\u2019application de suie et d\u2019huile de palme, accentue la profondeur des volumes et la force expressive de l\u2019\u0153uvre.<\/p>\n<p style=\"text-align: justify;\">La coiffure, compos\u00e9e de six tresses descendant jusqu\u2019\u00e0 la base du cou, constitue un \u00e9l\u00e9ment distinctif et relativement rare.Le traitement du cou, avec de fins plis convergeant vers l\u2019arri\u00e8re, contribue lui aussi \u00e0 d\u00e9finir un langage formel original. La pr\u00e9sence d\u2019un collier \u00e9labor\u00e9, peu commun dans la production Dan, souligne encore le caract\u00e8re exceptionnel de la figure. Ces figures se rapprochent du concept de portrait, tout en restant inscrites dans des codes stylistiques partag\u00e9s : le sculpteur ne restitue pas seulement l\u2019apparence physique, mais aussi les qualit\u00e9s morales et le caract\u00e8re de la personne repr\u00e9sent\u00e9e.<\/p>\n<div class=\"dalton-opera-clusters\">\n<div class=\"dalton-opera-cluster\">\n<h2>Approfondissements<\/h2>\n<div class=\"dalton-fr-opera-link-list\">\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/art-africain\/\">Art Africain<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/tipo-di-arte\/highlights-art-africain\/\">Highlights d\u2019Art Africain<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/tipo-di-arte\/collection-art-africain\/\">Collection d\u2019Art Africain<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/pubblicazioni\/\">Publications sur l\u2019Art Africain<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/expositions\/\">Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"dalton-opera-cluster\">\n<h2>Sculptures associ\u00e9es<\/h2>\n<div class=\"dalton-fr-opera-link-list\">\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-deangle-dan-cote-ivoire\/\">Masque Deangl\u00e9, Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-dan-region-toura-cote-ivoire\/\">Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-dan-mano-liberia\/\">Masque, Dan Mano, Lib\u00e9ria<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-masculine-baule-cote-ivoire\/\">Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-masculine-blolo-bian-baule-cote-ivoire\/\">Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<p style=\"margin: 0 0 7px; line-height: 1.45;\"><a href=\"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-feminine-baule-cote-ivoire\/\">Figure f\u00e9minine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2&Prime;] D\u00e9but du XXe si\u00e8cle Bois \u00e0 patine noire 35 cm Provenance Collection Loed van Bussel, Amsterdam Collection Alfred Scheinberg, New York Collection Melvyn<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"featured_media":9868,"template":"","tipo-di-arte":[156,158],"class_list":["post-8554","opera","type-opera","status-publish","has-post-thumbnail","hentry","tipo-di-arte-art-africain","tipo-di-arte-collection-art-africain"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Figure f\u00e9minine Dan Gio, Liberia\/C\u00f4te d\u2019Ivoire | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"Fiche d\u2019\u0153uvre Dalton Somar\u00e9: Figure f\u00e9minine Dan Gio, Liberia\/C\u00f4te d\u2019Ivoire. 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