{"id":8556,"date":"2010-07-05T15:53:21","date_gmt":"2010-07-05T13:53:21","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8556"},"modified":"2026-10-08T13:51:52","modified_gmt":"2026-10-08T11:51:52","slug":"figure-masculine-luluwa-mukendi-rd-congo","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-masculine-luluwa-mukendi-rd-congo\/","title":{"rendered":"Figure masculine Mukendi ou Mukenge, Luluwa, R.D. du Congo"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Seconde moiti\u00e9 du XIXe si\u00e8cle
\nBois \u00e0 patine poudreuse rouge\u00e2tre
\n35 cm<\/p>\n

Provenance<\/h2>\n

Paul Timmermans (1930\u20131976), Bruxelles
\nMerton D. Simpson (1928\u20132013), New York
\nThomas Alexander III, Saint Louis
\nMartin Lerner, New York
\nPatrick Caput, Paris
\nPace Primitive, New York, 2003
\nDalton Somar\u00e9, Milan
\nCollection priv\u00e9e, Brescia<\/p>\n

Publications<\/h2>\n

Pace Primitive, catalogue, 2003, fig. 32
\nScultura. Arte dell\u2019Africa<\/em><\/a>, Dalton Somar\u00e9, 2009, pp. 79\u201380
\nQui Brescia Magazine<\/em>, 2010, p. 142
\nL\u2019Africa delle Meraviglie<\/em>, Silvana Editoriale, 2010, p. 195
\nAHDRC Archive: #0032693<\/p>\n

Expositions<\/h2>\n

Parcours des Mondes, Paris, 2003
\nScultura. Arte dell\u2019Africa<\/em>, Galleria Dalton Somar\u00e9, Milan, 2009
\nL\u2019Africa delle Meraviglie<\/em>, Palazzo Ducale, G\u00eanes, 2010\u20132011<\/p>\n

\n

Art Luluwa et figures Mukendi<\/h2>\n

La sculpture des Luluwa, ou Lulua, de la R\u00e9publique d\u00e9mocratique du Congo repr\u00e9sente l\u2019une des expressions les plus \u00e9l\u00e9gantes et sophistiqu\u00e9es de l\u2019Art Africain<\/strong><\/a> d\u2019Afrique centrale. Les figures appel\u00e9es mukendi<\/em> ou mukenge<\/em> sont g\u00e9n\u00e9ralement interpr\u00e9t\u00e9es comme des images id\u00e9ales d\u2019anc\u00eatres ou de figures de lignage, \u00e9troitement li\u00e9es aux th\u00e8mes de la fertilit\u00e9, de la protection et de la continuit\u00e9 sociale.<\/p>\n

Ces sculptures \u00e9taient utilis\u00e9es dans des contextes rituels li\u00e9s \u00e0 la protection de la famille et \u00e0 la transmission de la force vitale. Leur fonction n\u2019\u00e9tait pas simplement repr\u00e9sentative, mais active : elles incarnaient une pr\u00e9sence capable de faire le lien entre le monde des vivants et celui des anc\u00eatres, contribuant au bien-\u00eatre et \u00e0 la stabilit\u00e9 du groupe.<\/p>\n

Les figures Luluwa se distinguent par leur \u00e9l\u00e9gance formelle, avec des corps \u00e9lanc\u00e9s et des proportions harmonieuses. Le buste l\u00e9g\u00e8rement arqu\u00e9 introduit une tension dynamique, tandis que l\u2019accent plac\u00e9 sur l\u2019abdomen renvoie symboliquement aux th\u00e8mes de la vie, de la croissance et de la g\u00e9n\u00e9ration.<\/p>\n

La patine poudreuse rouge\u00e2tre visible sur cet exemplaire provient d\u2019applications rituelles r\u00e9p\u00e9t\u00e9es dans le temps. Ces couches n\u2019ont pas seulement une valeur esth\u00e9tique, mais t\u00e9moignent de l\u2019usage actif de la sculpture dans son contexte originel. Gr\u00e2ce \u00e0 son importante provenance et \u00e0 sa pr\u00e9sence dans des expositions et publications, cette figure constitue une \u0153uvre significative de la sculpture d\u2019Afrique centrale.<\/p>\n

Le visage est trait\u00e9 avec une grande essentialit\u00e9, \u00e9vitant le rendu individuel pour privil\u00e9gier une repr\u00e9sentation id\u00e9ale. Cette abstraction permet \u00e0 la figure d\u2019assumer une valeur universelle, comme incarnation de principes plut\u00f4t que d\u2019identit\u00e9s sp\u00e9cifiques.<\/p>\n

Les figures mukendi Luluwa sont aujourd\u2019hui tr\u00e8s appr\u00e9ci\u00e9es dans le collectionnisme international pour leur raffinement et pour l\u2019\u00e9quilibre qu\u2019elles \u00e9tablissent entre abstraction et pr\u00e9sence physique.<\/p>\n

La clart\u00e9 formelle et le rythme des proportions rapprochent ces \u0153uvres des principes de la modernit\u00e9, mettant en \u00e9vidence une convergence entre sculpture africaine et recherche artistique du XXe si\u00e8cle. Comme l\u2019approfondissent nos publications sur l\u2019art africain, ces sculptures t\u00e9moignent de la profondeur conceptuelle et de l\u2019innovation formelle de l\u2019art africain.<\/p>\n

\n
\n

Approfondissements<\/h2>\n

Sculpture Luluwa : figures mukendi, proportions et traitement du corps<\/a>.<\/p>\n

\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque, Lega, soci\u00e9t\u00e9 Bwami, R.D. du Congo<\/a><\/p>\n

Masque Nkaki, Lwalwa, R.D. du Congo<\/a><\/p>\n

Figure d\u2019anc\u00eatre, Hemba, R.D. du Congo<\/a><\/p>\n

Maternit\u00e9 Phemba, Yombe, R.D. du Congo<\/a><\/p>\n

Maternit\u00e9 Phemba, Yombe, R.D. du Congo<\/a><\/p>\n

Figure de pouvoir, Kongo, R.D. du Congo<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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