{"id":8557,"date":"2010-08-05T15:46:21","date_gmt":"2010-08-05T13:46:21","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8557"},"modified":"2026-10-08T13:50:09","modified_gmt":"2026-10-08T11:50:09","slug":"figure-masculine-blolo-bian-baule-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-masculine-blolo-bian-baule-cote-ivoire\/","title":{"rendered":"Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

D\u00e9but du XXe si\u00e8cle
\nBois
\n49 cm<\/p>\n

Provenance<\/h2>\n

Collection Kelley Rollings, Tucson
\nPace Gallery, New York
\nDalton Somar\u00e9, Milan
\nCollection Anna et Vittorio M. Carini, Bergame<\/p>\n

Publications<\/h2>\n

Parcours des Mondes<\/em>, catalogue, Paris, 2010
\nI. Bargna, G. Parodi da Passano, L\u2019Africa delle Meraviglie<\/em>, Silvana Editoriale, Milan, 2010, p. 147
\nMarco Scotini, Il Cacciatore Bianco<\/em>, FM Centro per l\u2019Arte Contemporanea, Milan, 2017, p. 114
\nEntre Gr\u00e2ce et Brutalit\u00e9. La C\u00f4te d\u2019Ivoire dans les collections italiennes<\/a><\/em>, Dalton Somar\u00e9, Milan, 2017, pp. 70-71<\/p>\n

Expositions<\/h2>\n

L\u2019Africa delle Meraviglie<\/em>, Palazzo Ducale, G\u00eanes, 2010
\nIl Cacciatore Bianco<\/em>, FM Centro per l\u2019Arte Contemporanea, Milan, 2017<\/p>\n

\n

Figures Blolo Bian dans l\u2019art Baule<\/h2>\n

La sculpture Baule de C\u00f4te d\u2019Ivoire repr\u00e9sente l\u2019une des expressions les plus raffin\u00e9es et complexes de l\u2019Art Africain<\/strong><\/a>, caract\u00e9ris\u00e9e par un \u00e9quilibre subtil entre naturalisme et id\u00e9alisation. Les figures blolo bian<\/em>, \u00e9poux-esprit, et blolo bla<\/em>, \u00e9pouse-esprit, comptent parmi les typologies les plus c\u00e9l\u00e8bres de la statuaire Baule et sont li\u00e9es \u00e0 la croyance en l\u2019existence d\u2019un monde parall\u00e8le, le blolo<\/em>, miroir de celui des vivants.<\/p>\n

Selon la cosmologie Baule, chaque individu poss\u00e8de un conjoint spirituel dans le monde invisible. Les sculptures blolo bian<\/em> repr\u00e9sentent donc ces entit\u00e9s, avec lesquelles s\u2019\u00e9tablit une relation personnelle faite d\u2019offrandes, de soins et de d\u00e9votion. Elles \u00e9taient conserv\u00e9es dans des espaces priv\u00e9s et servaient \u00e0 maintenir l\u2019\u00e9quilibre entre vie terrestre et vie spirituelle, influen\u00e7ant fertilit\u00e9, succ\u00e8s et bien-\u00eatre.<\/p>\n

La figure se distingue par la fluidit\u00e9 des volumes et l\u2019harmonie des proportions. Le corps est construit par une continuit\u00e9 plastique qui \u00e9vite les ruptures nettes et cr\u00e9e une surface souple et coh\u00e9rente. La t\u00eate, l\u00e9g\u00e8rement surdimensionn\u00e9e, refl\u00e8te l\u2019importance accord\u00e9e \u00e0 la dimension spirituelle et au si\u00e8ge de l\u2019identit\u00e9.<\/p>\n

L\u2019expression du visage est compos\u00e9e et ma\u00eetris\u00e9e, sans tension dramatique, et transmet un sentiment d\u2019\u00e9quilibre int\u00e9rieur et de dignit\u00e9. La patine, issue d\u2019un usage d\u00e9votionnel prolong\u00e9, donne \u00e0 la sculpture une profondeur visuelle et t\u00e9moigne du lien direct entre l\u2019objet et son propri\u00e9taire.<\/p>\n

Des \u00e9l\u00e9ments tels que la coiffure, les scarifications et la posture contribuent \u00e0 d\u00e9finir un id\u00e9al esth\u00e9tique et moral fond\u00e9 sur l\u2019ordre, la ma\u00eetrise de soi et la beaut\u00e9.<\/p>\n

Cet exemplaire se distingue en outre par sa qualit\u00e9 formelle, sa provenance et sa coh\u00e9rence stylistique, se pla\u00e7ant parmi les t\u00e9moignages les plus significatifs de la sculpture Baule ancienne.<\/p>\n

Les figures Blolo Bian sont aujourd\u2019hui consid\u00e9r\u00e9es parmi les \u0153uvres les plus importantes et recherch\u00e9es du collectionnisme international d\u2019art africain, gr\u00e2ce \u00e0 leur dimension intime, \u00e0 leur complexit\u00e9 symbolique et \u00e0 leur extraordinaire synth\u00e8se entre naturalisme et abstraction.<\/p>\n

\n
\n

Approfondissements<\/h2>\n
\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque Deangl\u00e9, Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Dan Gio, Lib\u00e9ria\/C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan Mano, Lib\u00e9ria<\/a><\/p>\n

Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″] D\u00e9but du XXe si\u00e8cle Bois 49 cm Provenance Collection Kelley Rollings, Tucson Pace Gallery, New York Dalton Somar\u00e9, Milan Collection Anna et Vittorio [\u2026]<\/span><\/p>\n","protected":false},"featured_media":9582,"template":"","tipo-di-arte":[156,158],"class_list":["post-8557","opera","type-opera","status-publish","has-post-thumbnail","hentry","tipo-di-arte-art-africain","tipo-di-arte-collection-art-africain"],"acf":[],"yoast_head":"\nFigure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire | Dalton Somar\u00e9<\/title>\n<meta name=\"description\" content=\"Fiche d\u2019\u0153uvre Dalton Somar\u00e9: Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire. 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