{"id":8559,"date":"2010-05-05T15:54:22","date_gmt":"2010-05-05T13:54:22","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8559"},"modified":"2026-10-08T13:53:08","modified_gmt":"2026-10-08T11:53:08","slug":"masque-portrait-ndoma-baule-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-portrait-ndoma-baule-cote-ivoire\/","title":{"rendered":"Masque portrait Ndoma, Baule, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Fin du XIXe si\u00e8cle \u2013 d\u00e9but du XXe si\u00e8cle
\nBois
\n31 cm<\/p>\n

Provenance<\/h2>\n

Galerie R. Rasmussen, Paris
\nCollection priv\u00e9e, Paris
\nPace Gallery, New York
\nGalleria Dalton Somar\u00e9, Milan
\nCollection Anna & Vittorio M. Carini, Bergame<\/p>\n

Expositions<\/h2>\n

Africa. The Land of Spirits<\/em>, MUDEC, Milan, 2015
\nParcours des Mondes, Paris, 2017<\/p>\n

Publications<\/h2>\n

C. Zevi, G. Pezzoli, Africa. The Land of Spirits<\/em>, 24Ore Cultura, Milan, 2015, p. 287
\nEntre Gr\u00e2ce et Brutalit\u00e9. La C\u00f4te d\u2019Ivoire dans les collections italiennes<\/a><\/em>, Dalton Somar\u00e9, Milan, 2017, p. 67<\/p>\n

\n

Art Baule et masques portraits<\/h2>\n

La production artistique Baule de C\u00f4te d\u2019Ivoire repr\u00e9sente l\u2019une des expressions les plus raffin\u00e9es de l\u2019Art Africain<\/strong><\/a>, caract\u00e9ris\u00e9e par un \u00e9quilibre remarquable entre id\u00e9alisation esth\u00e9tique et observation du r\u00e9el. Les masques portraits Baule s\u2019inscrivent dans une tradition o\u00f9 la repr\u00e9sentation n\u2019est jamais purement individuelle, mais tend \u00e0 exprimer un id\u00e9al de beaut\u00e9, d\u2019ordre et de perfection morale.<\/p>\n

Ces masques \u00e9taient utilis\u00e9s dans des contextes c\u00e9r\u00e9moniels publics, souvent li\u00e9s \u00e0 des danses de divertissement et \u00e0 des \u00e9v\u00e9nements communautaires. M\u00eame lorsqu\u2019ils peuvent d\u00e9river d\u2019individus r\u00e9els, leur fonction n\u2019est pas celle d\u2019un portrait r\u00e9aliste, mais d\u2019une transfiguration esth\u00e9tique capable d\u2019incarner des valeurs partag\u00e9es comme l\u2019harmonie, l\u2019\u00e9quilibre et le prestige social.<\/p>\n

Le visage se distingue par la puret\u00e9 des lignes et par la construction harmonieuse des volumes. Les surfaces liss\u00e9es, la sym\u00e9trie contr\u00f4l\u00e9e et la proportion \u00e9quilibr\u00e9e des parties cr\u00e9ent une image de beaut\u00e9 id\u00e9ale, o\u00f9 chaque \u00e9l\u00e9ment est pr\u00e9cis\u00e9ment calibr\u00e9. Les scarifications, la coiffure et les d\u00e9tails du visage ne sont pas de simples ornements, mais des signes codifi\u00e9s indiquant statut, identit\u00e9 et appartenance culturelle.<\/p>\n

Un rapprochement significatif peut \u00eatre \u00e9tabli avec les masques portraits Dan, diffus\u00e9s entre C\u00f4te d\u2019Ivoire et Lib\u00e9ria. L\u00e0 o\u00f9 les \u0153uvres Baule privil\u00e9gient la composition id\u00e9ale et la retenue, certaines masques Dan montrent une intensit\u00e9 expressive plus marqu\u00e9e. Cette comparaison met en \u00e9vidence deux approches distinctes de la repr\u00e9sentation : l\u2019id\u00e9al harmonique Baule et la tension expressive Dan.<\/p>\n

La surface en bois, finement polie, r\u00e9v\u00e8le un travail attentif et raffin\u00e9, tandis que la patine t\u00e9moigne de l\u2019usage et de la vie rituelle de l\u2019objet. Gr\u00e2ce \u00e0 sa provenance et \u00e0 sa pr\u00e9sence dans une exposition mus\u00e9ale comme celle du MUDEC, ce masque constitue une \u0153uvre de grande importance.<\/p>\n

\n
\n

Approfondissements<\/h2>\n
\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque Deangl\u00e9, Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Dan Gio, Lib\u00e9ria\/C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan Mano, Lib\u00e9ria<\/a><\/p>\n

Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure masculine Blolo Bian, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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