{"id":8562,"date":"2010-01-05T15:57:23","date_gmt":"2010-01-05T14:57:23","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8562"},"modified":"2026-10-08T13:59:43","modified_gmt":"2026-10-08T11:59:43","slug":"masque-portrait-baule-atelier-sakassou-cote-ivoire","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/masque-portrait-baule-atelier-sakassou-cote-ivoire\/","title":{"rendered":"Masque portrait, Baule, atelier de Sakassou, C\u00f4te d\u2019Ivoire"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

D\u00e9but du XXe si\u00e8cle
\nBois
\n33 cm<\/p>\n

Provenance<\/h2>\n

Collection H. Schnewckenburger, Munich
\nH. Simonis, D\u00fcsseldorf
\nDalton Somar\u00e9, Milan
\nCollection priv\u00e9e, Milan<\/p>\n

Publications<\/h2>\n

4 Masques Baoule du Cercle de Dimbokro<\/em>, Didier Claes, Bruxelles, 2023<\/p>\n

\n

Art Baule et atelier de Sakassou<\/h2>\n

La sculpture Baule de C\u00f4te d\u2019Ivoire repr\u00e9sente l\u2019un des sommets de l\u2019Art Africain<\/strong><\/a>, caract\u00e9ris\u00e9e par un \u00e9quilibre remarquable entre rigueur formelle et expressivit\u00e9. L\u2019atelier de Sakassou compte parmi les plus reconnus pour la qualit\u00e9 de ses \u0153uvres, dans lesquelles la construction des volumes et le raffinement des surfaces atteignent un niveau de grande perfection.<\/p>\n

Ce masque portrait s\u2019inscrit dans la tradition Baule o\u00f9 la repr\u00e9sentation du visage humain n\u2019est jamais purement individuelle, mais tend \u00e0 exprimer un id\u00e9al esth\u00e9tique et moral. L\u2019image n\u2019est donc pas le portrait d\u2019une personne pr\u00e9cise, mais la synth\u00e8se d\u2019un mod\u00e8le de beaut\u00e9 et de comportement social.<\/p>\n

Du point de vue stylistique, l\u2019\u0153uvre se distingue par l\u2019extraordinaire fluidit\u00e9 des volumes, et le raccord entre les diff\u00e9rents \u00e9l\u00e9ments du visage cr\u00e9e une surface harmonieuse et compacte, dans laquelle les transitions sont douces et parfaitement contr\u00f4l\u00e9es. Ce jeu de volumes est l\u2019un des \u00e9l\u00e9ments les plus distinctifs du langage artistique Baule.<\/p>\n

L\u2019attitude de la figure transmet un sentiment de modestie et de dignit\u00e9, qualit\u00e9s essentielles dans la d\u00e9finition de l\u2019id\u00e9al masculin au sein de la soci\u00e9t\u00e9 Baule, et l\u2019\u00e9quilibre entre introspection et pr\u00e9sence conf\u00e8re au masque une force silencieuse mais intense.<\/p>\n

La coiffure, trait\u00e9e avec une grande retenue, et les scarifications cosm\u00e9tiques, finement incis\u00e9es, ne sont pas des \u00e9l\u00e9ments d\u00e9coratifs, mais des signes d\u2019identit\u00e9 sociale et culturelle. Dans leur ensemble, ils contribuent \u00e0 d\u00e9finir l\u2019image d\u2019un jeune homme pr\u00eat \u00e0 assumer son r\u00f4le au sein de la communaut\u00e9.<\/p>\n

\n
\n

Approfondissements<\/h2>\n

Sculpteurs et ateliers Baule : deux \u0153uvres de Sakassou en regard<\/a><\/p>\n

\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Art Africain classique<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque Deangl\u00e9 Dan, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque, Dan, r\u00e9gion Toura, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine Dan Gio, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure masculine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Seconde figure masculine Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Figure f\u00e9minine, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque portrait, Baule, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Masque facial Kpelye, Senufo, C\u00f4te d\u2019Ivoire<\/a><\/p>\n

Cavalier, Ligbi\/Senufo, C\u00f4te d\u2019Ivoire<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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