{"id":8563,"date":"2010-02-05T15:56:23","date_gmt":"2010-02-05T14:56:23","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8563"},"modified":"2026-10-08T17:12:51","modified_gmt":"2026-10-08T15:12:51","slug":"maternite-phemba-yombe-rd-congo-2","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/maternite-phemba-yombe-rd-congo-2\/","title":{"rendered":"Maternit\u00e9 Phemba, Yombe, R.D. du Congo"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Fin du XIXe si\u00e8cle \/ d\u00e9but du XXe si\u00e8cle
\nBois, verre
\n28,5 cm<\/p>\n

Provenance<\/h2>\n

Collect\u00e9e in situ, 1915
\nAncienne collection Dr Paul Pastiels, Bruxelles
\nDidier Claes, Bruxelles
\nDalton Somar\u00e9, Milan
\nCollection priv\u00e9e, Gallarate<\/p>\n

Publications<\/h2>\n

Phemba : Voix f\u00e9minines d\u2019aristocrates kongo \/ Female voices of Kongo aristocrats<\/em>, catalogue de l\u2019exposition, TEFAF 2022, Maastricht, Bernard de Grunne, 2022<\/p>\n

Expositions<\/h2>\n

Winter Bruneaf<\/em>, Bruxelles, 2017<\/p>\n

\n

Art Yombe et maternit\u00e9 Phemba<\/h2>\n

La statuaire Yombe, appartenant \u00e0 la tradition plus vaste Kongo, constitue l\u2019une des expressions les plus intenses et naturalistes de l\u2019Art Africain<\/strong><\/a> d\u2019Afrique centrale. Les maternit\u00e9s appel\u00e9es phemba<\/em> occupent une place centrale comme images de la m\u00e8re fondatrice du lignage et symboles de la continuit\u00e9 de la vie. Cette sculpture pr\u00e9sente de fortes analogies avec des exemplaires connus publi\u00e9s par Raul Lehuard dans Art Bakongo<\/em>, notamment la figure K6-1-2 de l\u2019archive Merton Simpson et la K6-1-1 du Brooklyn Museum. Dans ces exemples, comme dans celui-ci, \u00e9mergent la densit\u00e9 des formes et l\u2019\u00e9nergie de l\u2019attitude.<\/p>\n

La position de la main droite, pos\u00e9e avec le dos de la main sur un vase, est partag\u00e9e avec l\u2019exemplaire du Brooklyn Museum et est g\u00e9n\u00e9ralement interpr\u00e9t\u00e9e comme une allusion \u00e0 la capacit\u00e9 de la m\u00e8re \u00e0 nourrir et soutenir l\u2019enfant. La figure f\u00e9minine accueille le nouveau-n\u00e9 assis sur la jambe gauche, l\u00e9g\u00e8rement avanc\u00e9e, dans une attitude sugg\u00e9rant intimit\u00e9, protection et relation directe.<\/p>\n

Selon les canons de la statuaire Yombe, la figure porte une haute mitre caract\u00e9ristique, signe de rang \u00e9lev\u00e9. Le corps est solide et compact, tandis que le visage, aux traits massifs, transmet une vitalit\u00e9 puissante. Les scarifications sur la poitrine, les \u00e9paules et le dos sont rendues avec pr\u00e9cision, contribuant \u00e0 d\u00e9finir le statut social et le r\u00f4le symbolique de la figure.<\/p>\n

Les figures phemba<\/em> s\u2019inscrivent dans le contexte du culte de la fertilit\u00e9 et de la maternit\u00e9, mais leur signification va au-del\u00e0. Elles incarnent le r\u00f4le ancestral de la femme comme source de vie et m\u00e9diatrice entre le monde des anc\u00eatres et celui des vivants.<\/p>\n

Les sourcils arqu\u00e9s, les paupi\u00e8res lourdes, le nez aux narines dilat\u00e9es et les l\u00e8vres charnues entrouvertes, avec des incisives model\u00e9es en U, d\u00e9finissent une expression intense et profond\u00e9ment humaine. Les boucles d\u2019oreilles pendent aux lobes selon des formes diff\u00e9rentes, tandis que le cou est orn\u00e9 d\u2019un collier de grandes perles tubulaires alternant avec des disques. Une attention particuli\u00e8re est accord\u00e9e au rendu de la colonne vert\u00e9brale et \u00e0 la ceinture compos\u00e9e de cauris et de perles. Dans le bas du dos apparaissent deux scarifications en forme de n\u0153ud, motif r\u00e9current chez les femmes Bakongo.<\/p>\n

\n
\n

Approfondissements<\/h2>\n

Maternit\u00e9s phemba Yombe : composition, rang et continuit\u00e9 du lignage<\/a><\/p>\n

\n

Art Africain<\/a><\/p>\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n

Expositions internationales<\/a><\/p>\n<\/div>\n<\/div>\n

\n

Sculptures associ\u00e9es<\/h2>\n
\n

Masque, Lega, soci\u00e9t\u00e9 Bwami, R.D. du Congo<\/a><\/p>\n

Masque Nkaki, Lwalwa, R.D. du Congo<\/a><\/p>\n

Figure d\u2019anc\u00eatre, Hemba, R.D. du Congo<\/a><\/p>\n

Maternit\u00e9 Phemba, Yombe, R.D. du Congo<\/a><\/p>\n

Figure de pouvoir, Kongo, R.D. du Congo<\/a><\/p>\n

Figure masculine, Luluwa Mukendi, R.D. du Congo<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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