{"id":8584,"date":"2026-05-30T09:07:30","date_gmt":"2026-05-30T07:07:30","guid":{"rendered":"https:\/\/www.daltonsomare.com\/?post_type=opera&p=8584"},"modified":"2026-08-16T21:14:23","modified_gmt":"2026-08-16T19:14:23","slug":"figure-zoomorphe-janiforme-tellem-dogon-mali","status":"publish","type":"opera","link":"https:\/\/www.daltonsomare.com\/fr\/opere\/figure-zoomorphe-janiforme-tellem-dogon-mali\/","title":{"rendered":"Figure zoomorphe janiforme, pr\u00e9 Dogon, Mali"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

1309\u20131424 ap. J.-C. (test C14)
\nBois, pierre
\n42,5 cm<\/p>\n

Provenance<\/h2>\n

Importante collection fran\u00e7aise, acquise en 1972
\nCollection Jean-Claude Marian, Bruxelles
\nCollection Carlos Basso, Barcelone
\nCollection priv\u00e9e, Paris<\/p>\n

\n

La figure zoomorphe Tellem Dogon pr\u00e9sent\u00e9e ici appartient \u00e0 un contexte historique et culturel d\u2019une complexit\u00e9 particuli\u00e8re. La chronologie des migrations dans la r\u00e9gion du Delta int\u00e9rieur du Niger, encore seulement partiellement connue, ne permet pas d\u2019attribuer avec une certitude absolue \u00e0 un groupe ethnique pr\u00e9cis les sculptures religieuses en bois conserv\u00e9es pendant des si\u00e8cles dans cette r\u00e9gion.<\/p>\n

La zone comprise entre l\u2019ancienne ville de Djenn\u00e9-Djeno, Djenn\u00e9, Mopti et la falaise de Bandiagara fut concern\u00e9e, entre le XIe et le XVIe si\u00e8cle, par des vagues migratoires successives qui donn\u00e8rent naissance \u00e0 un milieu culturel composite. Aux myst\u00e9rieux Tellem, terme dogon signifiant \u00ab ceux qui \u00e9taient ici avant \u00bb, install\u00e9s dans les grottes de la falaise entre le Xe et le XIe si\u00e8cle, se joignirent entre les XIe et XIIe si\u00e8cles certains clans Sonink\u00e9, fuyant la violente islamisation des Almoravides.<\/p>\n

Par la suite, \u00e0 partir du d\u00e9but du XVe si\u00e8cle, les Dogon s\u2019\u00e9tablirent eux aussi dans la r\u00e9gion, attir\u00e9s par l\u2019inaccessibilit\u00e9 de la falaise. Selon la datation au radiocarbone C14, cette figure zoomorphe bifrontale doit \u00eatre attribu\u00e9e aux Tellem ou \u00e0 une phase tr\u00e8s ancienne de la pr\u00e9sence Dogon, introduisant aux premi\u00e8res iconographies du Delta int\u00e9rieur du Niger.<\/p>\n

Comme l\u2019a observ\u00e9 Kate Ezra, la statuaire Dogon est li\u00e9e \u00e0 un vaste corpus de mythes concernant la cr\u00e9ation de l\u2019univers, la lutte entre l\u2019ordre et le d\u00e9sordre et la place de l\u2019humanit\u00e9 en son sein. Les figures zoomorphes ne sont pas rares dans cette r\u00e9gion. Souvent identifi\u00e9es comme des \u00ab chiens \u00bb, ces images sacr\u00e9es sont consid\u00e9r\u00e9es comme li\u00e9es aux migrations historiques des Dogon vers la falaise de Bandiagara, o\u00f9 le chien aurait guid\u00e9 le peuple vers les points d\u2019eau, comme l\u2019a d\u00e9crit Jean Laude.<\/p>\n

Une analyse morphologique de cette sculpture rend toutefois probl\u00e9matique l\u2019identification de l\u2019animal comme chien. Les volumes arrondis du corps, la forme du cr\u00e2ne et du museau, la position des oreilles et l\u2019attitude m\u00eame de l\u2019animal semblent le rapprocher davantage de l\u2019hippopotame. La nette diff\u00e9rence dimensionnelle entre les deux t\u00eates animales ne peut \u00eatre consid\u00e9r\u00e9e comme fortuite, mais d\u00e9crit probablement le dimorphisme sexuel entre m\u00e2le et femelle de ce grand mammif\u00e8re.<\/p>\n

Une derni\u00e8re consid\u00e9ration concerne la pierre fix\u00e9e au centre du dos de la figure. Sa forme arrondie exclut qu\u2019il puisse s\u2019agir d\u2019un point d\u2019appui ou d\u2019un autel destin\u00e9 aux sacrifices, comme les petites coupes pr\u00e9sentes sur d\u2019autres figures zoomorphes. La surface polie \u00e9voque plut\u00f4t les dugo<\/em>, pierres sacr\u00e9es donn\u00e9es par Amma \u00e0 l\u2019humanit\u00e9, dans lesquelles se cache le nyama<\/em>, la force vitale des anc\u00eatres fondateurs.<\/p>\n

Les grandes figures zoomorphes Tellem-Dogon sont extr\u00eamement rares. Un exemple est conserv\u00e9 dans les collections du Mus\u00e9e Dapper \u00e0 Paris, anciennement collection Lester Wunderman \u00e0 New York, tandis qu\u2019un second exemplaire appartient au Metropolitan Museum of Art de New York, anciennement collection Nelson Rockefeller. Ces deux sculptures pr\u00e9sentent une seule t\u00eate et montrent une petite cavit\u00e9 vide au centre du dos.<\/p>\n

L\u2019\u0153uvre pr\u00e9sent\u00e9e ici se distingue \u00e0 la fois par son iconographie bifrontale de type Janus et par la pr\u00e9sence de la pierre magique sur le dos, \u00e9l\u00e9ment qui en fait un authentique unicum<\/em>.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]
\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Approfondissements<\/h2>\n
\n

Highlights d\u2019Art Africain<\/a><\/p>\n

Collection d\u2019Art Africain<\/a><\/p>\n

Les figures zoomorphes dans l\u2019art Dogon : le chien<\/a><\/p>\n

Art Africain en Italie<\/a><\/p>\n

Publications sur l\u2019Art Africain<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb el_class=\u00a0\u00bbpost-flat-h2″]<\/p>\n

Sculptures associ\u00e9es<\/h2>\n
\n

Figure androgyne Niongom, Mali<\/a><\/p>\n

Figure f\u00e9minine Dogon Bombou Toro, Mali<\/a><\/p>\n

Figure zoomorphe Tellem Dogon, Mali<\/a><\/p>\n

Masque Ntomo Bamana, Mali<\/a><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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